The Theory of the Animation Cartoon

In the world of animation, the term ‘Cartoon’ evokes images of pen-and-ink drawings and an innate individualism. It also implies an unproblematic trajectory from newsprint to moving picture. But is this true? Here’s an example. This illustration blends realism with a cartoon. The result is an incredibly appealing story. And one of its most important aspects is its appeal to kids.The 5 Best Action Anime of 2017 | Fandom

The theory of animation is older than cinema. In the early nineteenth century, experimenters were creating conversation pieces for Victorian parlors and new sensations for touring magic lantern shows. They discovered the principle of persistence of vision, which states that drawings that portray stages of an action are perceived as continuous motion เว็บดูการ์ตูนออนไลน์. The Belgian Joseph Plateau invented the phenakistoscope, a spinning cardboard disc that created the illusion of movement when viewed through a mirror.

The history of cartoons dates back fifty years. In the 16th century, the term “cartoon” was used to describe paintings. It came from a word, ‘karton’, meaning strong paper. As it grew in popularity, the term was used to define a humorous picture, with a dialogue and caption. As the field of cartoons evolved, it also became a way to celebrate different kinds of art.

The theory of the animation cartoon is so ancient that it predates the emergence of cinema by nearly 50 years. Those early experimenters were attempting to create conversation pieces for Victorian parlors, as well as new sensations for touring magic lantern shows. They developed a concept called persistence of vision, which states that a drawing representing a single stage of an action can be interpreted as a continuous movement. The Belgian Joseph Plateau first used this principle to develop the phenakistoscope, a spinning cardboard disk that could produce the illusion of movement when looked at in a mirror.

The concept of the animated cartoon is a theory that predates the invention of cinema by 50 years. The earliest experiments in this field were designed to create new sensations for touring magic lantern shows. These early researchers discovered that the underlying principle of animation is persistence of vision. As long as the action is drawn with a steady movement, the viewer perceives it as continuous. The phenakistoscope was invented in 1832 by Belgian Joseph Plateau.

Unlike its modern-day counterpart, the cartoons of the past are still regarded as timeless classics. Snow White, for example, has captured the hearts of generations of Americans with its story of love and death. This is the reason that it is not surprising that the animation has captured the imagination of a generation of children. The cartoons of the past and present are as popular as the ones of the present. It is impossible to tell which is better, which is why some people think twice about watching an animated cartoon.

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